Ana JORHS. doesn’t just play techno—she bends it until it starts to glow. Born and raised in
Barcelos, Portugal, she grew up rifling through her father’s vinyl crates, learning early that a
kick drum can hit as hard as words. Under the alias Christinne she cut her teeth as a DJ and
producer, diving head-first into the raw, hypnotic side of the genre. By her early twenties she
was already holding down a residency at the mythical Club118, trading records in the booth
with Oscar Mulero, Ben Sims and Sunil Sharpe, playing key rooms like the Lux Frágil and
Gare Porto, and appearing at some of Portugal’s most important festivals, while releasing
on heavyweights like PoleGroup and Faut Section. while releasing on heavyweights like
PoleGroup and Faut Section.

But sound has never been enough on its own. For Ana, a pulsing 909 is a brushstroke and
a filtered chord is a shaft of light; the club is a darkroom where frequencies develop into
images. In 2024 she launched her own imprint, JORHS., and stepped fully into the hybrid
identity she’d been chasing for years—music and visual art feeding each other in real time.
Her strength isn’t loud; it moves like a perfect bassline—relentless yet elegant, unapologetic
yet precise. That same quiet fearlessness now powers JORHS.Thé, the live-painted
audiovisual sets where every downbeat leaves a visible mark on canvas and every color shift
rewires the dancefloor.

What’s next feels wide open and inevitable at the same time: deeper experiments, stranger
collaborations, rooms that leave people different than they arrived. If you’ve ever wanted to
watch sound become color and color become movement, find one of her nights.

Let your body go and your mind's eye be alert. She will take care of the rest.